Freeborn John – Rev Hammer – DVD/CD (released 19 May 2007)

Freeborn John - Rev Hammer

Rev Hammer’s concept for his Freeborn John DVD/CD has been around for a long time.

The original studio CD was finished in 1996 and this DVD package’s literature thanks “Mark Chadwick for an idea in a country garden, July 1994”. However, there are recordings in existence of Rev performing some of the songs on here (“ England’s New Chains” and “ Elizabeth’s Great Gallop”) as early as 1992.

This gives some indication of the amount of love, endeavour and effort that has gone into this project, covering the best part of 15 years. And it shows.

Freeborn John tells the story of John Lilburne, the leader of The Levellers (no not them) in 17th century England , and “the first English Radical”.

This DVD is a recording of the performance that Rev and his fellow musicians performed at the Beautiful Days festival, Escot House, Devon in August 2005. You also get a CD of the live recording as well.

The DVD (and CD) consists of 13 or so tracks, the majority written by Rev with one written by Justin Sullivan of New Model Army which is, I believe, exclusive to this release.

The story starts where it should, at the beginning, and takes you through Lilburne’s life, telling of his run-ins with Prince Rupert, The King and eventually Oliver Cromwell.

The story is told in a sort of Folk-Rock-Opera style with passion and intrigue as each of the performers taking the stage puts in enthusiasm and effort. And what performers there are, including but not restricted to; Rev himself taking the part of John Lilburne, Maddy Prior playing Elizabeth – John’s wife, Justin Sullivan (of New Model Army), Rory McLeod who somehow manages to pull off a great performance as the folk singer (something he has been doing for much of his life) and The English Civil War Society who put in brave performances during the fighting scenes.

I’ve listened to the original CD numerous times and the live CD accompanying this DVD a number of times, but nothing prepares you for the full impact of the DVD presentation. However, you have to pay attention – let yourself get distracted and the impact is lost.

But if you sit there and immerse yourself in the experience of the story, the storytelling and the songs, then you will be moved. Some of the literature in the DVD booklet is included on the DVD to help with the narrative and this works well, filling in the story between the main areas covered by the songs.

This is a DVD that is a required purchase for anyone who was at the Beautiful Days festival in 2005, an historic recording of an historic performance, which could quite easily move the viewer to tears at times (especially during “Seventeen Years of Sorrow” and “Lilburne’s Death Song”) and a document for anyone wishing to learn more about the history of England without the need to resort to a history book.

But for Rev Hammer, nothing like this would ever have seen the light of day as I can think of no other performer around today who could have pulled it off.

Rumour has it that Rev is planning to tour the show next spring (2008). If this rumour turns out to be true, then I wish him luck and can promise here and now that I will be there.

Give Me The Fear – Tokyo Dragons (released 26 September 2005)

Give Me the Fear

Not a live review in any shape or form, but I still felt the need to post something about this album so here it is.

I first heard the TD’s at the ‘Rock In The Castle’ festival in Scarborough and was very impressed by them. They were way down the line-up but immediately got my foot tapping and head nodding as I became absorbed by their set. This album is no different.

This is how I remember rock ‘n roll sounded years ago and hearing it once again is fantastic. It isn’t particularly new, original or ground-breaking but the simple fact is that it sounds GOOD. It’s fast, furious, full of guitars, choruses, solo’s, machismo and good-time vibes, without a ballad in sight. The album consists of 3 or 4 minute blasts of solid rock tunes and the track-list probably says a lot about their style;

1. What The Hell

2. Get ‘Em Off

3. Do You Wanna

4. Come On Baby

5. Let It Go

6. Johnny Don’t Wanna Ride

7. Teenage Screamers

8. Ready Or Not

9. Burn On

10. Rockin’ The Stew

11. Chasing The Night

Obvious influences are numerous and range from glam through to heavier metal with a borrowed punk riff or two. If you mixed early Guns n Roses with Rainbow, Motley Crue and Thin Lizzy you might get something sounding a little like this.

Don’t be put off by the fact they supported Status Quo on tour a while back, this is quality stuff. The Darkness do their polished rock-warbling very well, but this is how I think real rock ‘n roll should sound…

@Jimbob247247

The Wildhearts Strikeback – The Wildhearts (released 25 October 2004)

The Wildhearts Strikeback

No, this isn’t a live music review in the traditional sense but it is a review of live music on a CD and therefore worthy of mention, in my opinion. The fact it’s by the world’s greatest band, The Wildhearts, is sheer coincidence. Honest.

When I heard that The Wildhearts were releasing a live record I was chuffed to bits because after attending their gigs for over 10 years I was dying to have a bona-fide, official memento of their superb performances. Perhaps it’s because my hopes were so high that it inevitably failed to live up to expectations.

Firstly, I should say that the track-listing is spot on – the usual blend of old, new, well-known and less well-known – mixing up songs from a couple of different shows and the fact it is a double-CD is a bonus. However, what was missing for me was the energy and enthusiasm of the live shows. Yes, it is hard, or even impossible, to portray this on record but even so I feel it is a huge dis-service to the band that their shows are left to sound this ordinary on record. Over the past 10 years I have never been to a Wildhearts show that has left me thinking anything other than, “Wow! That was fantastic!”. This CD, on the other hand, just left me thinking, “Yeah, not bad. What’s for tea?”

In the flesh the gigs are always full-on affairs with an almost Spector-like wall of sound and a crowd that roars it’s appreciation at the end of every song. On record the crowd noise merely sounds like a token gesture (which it wasn’t – I was there) and I’m unable to hear that wall of sound, even with my stereo turned up to 11. I don’t particularly want to hear minutes and minutes of pre-pubescent screaming but a little bit of madness between songs is surely a fair and accurate reflection.

An obvious reaction to these comments is, “But you’re probably a bit tipsy at the gigs, that’s why it sounds better and you have a great time.”

Yes, that may be true but in my defence I have heard other bands’ live albums in the past which I thought did do them justice. So maybe it’s all to do with the production on this Wildhearts one?

I don’t know what the answer is but having said all that, I would still recommend this album to any Wildhearts fan. They ARE the greatest band the world has seen for many years and all of their records are worthy of a place in any discerning collection.

[As an afterthought, I would also recommend – unreservedly – Ginger’s live acoustic record, Great White Monkey, because that is a top, top record and for me does manage to capture the feeling of his superb solo ( – with Hot Steve and Random Jon) shows. Unfortunately, it’s only available to buy at these shows or perhaps off e-bay.]

@Jimbob247247